(These may be reproduced as necessary)

ANIMAL FARM: a fairy story... as Orwell himself described it, was conceived as a direct commentary on Stalin's systematic abuse of the ideals of Communism. Yet, the allegory itself is rather domestic. The farm and its animals are obviously typically British and the fable has a distinctively British traditionalism, liberalism and decency in its essence... yet its message has managed to touch upon the key elements of contemporary affairs and political anxieties all over the World.

Just after Animal Farm was published in 1945, post-war Britain elected the Atlee Labour government with its application of Welfare State legislation and was coming to terms with a new, weaker position in the World. Stalin was slowly being exposed as a ruthless dictator and, through Animal Farm, Orwell, a disillusioned Socialist himself, was clearly attempting to persuade British liberals about Stalin's real nature. In this way the events of the book were specifically arranged to mirror those evident in Stalin's betrayal of the Soviet people, and can easily be shown to do so. Critically, however and, perhaps more importantly, the book was also an indictment of the processes and dangers of totalitarianism, and the methods and machinery that a modern state can bring to bear in its pursuit; the double-speak and propaganda, the lies, threats, coercion, corruption, oppression... the sleaze... as its leaders fight to perpetuate themselves against the interests of those who they are supposed to serve. Thus, when Animal Farm is taught in schools simply as an allegory on the Russian Revolution - or more generally as "anti-communist" - it actually goes against what Orwell stood for.

Orwell shared a common hope that a social democratic revolution would be capable of transforming society into a "caring sharing nation". But he worried also that those who should benefit from such revolutions too often end up as the victims. Indeed he explained: "I meant the moral to be that revolutions only reflect a radical improvement when the masses are alert and know how to chuck out their leaders as soon as the latter have done their job..."

Perhaps the revolution that has occurred in the United Kingdom over the last sixty years is one of materialism and "entrepreneurial plenty" at the ultimate expense of those less able than others. And perhaps Orwell's message to us in Britain is that, even here, where we live in relative harmony, we must be alert to the dangers of the power seekers and keepers and the empty promises they make to perpetuate their power. Here, with our adversarial system of government, the power-harvesting can't happen in large "Napoleonic" doses, but in small spoonfuls, where each is made easier to swallow by the petty, sugary machinations of party politics and spin... It's harder to detect but the end result can be the same. Guy Masterson

Director's Note: "Animal Cwackers" by Tony Boncza

When Guy and I started working on Animal Farm back in 1994, apart from deciding on the narrative and dramatic style, it was obvious we were going to have problems with the livestock. Guy had already proved a certain vocal dexterity in his acclaimed solo Under Milk Wood, but how could he possibly do animal impressions for two hours straight and still be taken seriously? Couldn't Animal Farm be performed by Johnny Morris or Percy Edwards? We thought not.

When creating the performance, we decided to avoid a one-man farmyard, but concentrate Guy's physical characterisation on the main protagonists i.e., Snowball, Napoleon, Squealer, Benjamin, Boxer and Clover and some smaller cameo roles, but the flocks of sheep, the gaggles of geese, the hens, the lesser horses, dogs and minor porkers would have to fall into a category called "sound effect".

Because it had become Guy's style to act everything within his performances - if it's not there, mime it - it was decided that all the animal noises would be made by the human voice - instead of using recorded animal sounds & BBC effects tapes...

In no time at all, complicated orchestrations, combining ducks, geese and dogs could be herd (sorry) in the snug bar at the Two Brewers in Northaw; sheepish arias in the saloon of The Sun; and swinish serenades in the cellar of The Pig and Whistle...

But due to the number of animals involved it became clear Guy would have to farm out (sorry again) some of the work... So, he made a pig of himself, told me to stop horsing around acting the giddy goat, and eventually cowed me into making the animal impressions with him. I was ducked.

Early January 1995, with time running against us, Guy was still finishing the adaptation while he was learning it and the Traverse Theatre in Edinburgh had brought the "World Premiere" forward by two weeks.

Together, we descended one snowy morning on an unsuspecting studio in South London. Eggs were broken, planks were snapped, toilets flushed and vocal chords pinged as our menagerie of animal "voices" were sampled, computerised, mixed, re-mixed, and finally mastered.

The sound engineers were more used to sex, drugs and rock'n roll, but after a twenty hour session with Guy and myself, bleating, mewing, neighing and oinking, they were half way to the funny farm themselves...

The rest is silage. - Tony Boncza

(Our Thanks go to Dominic & Leo Green who added the odd oink to "Beasts of England")

Summary of the Story

The story takes place on a farm somewhere in England. The story is told by an all-knowing narrator in the third person. The action of this novel starts when the oldest pig on the farm, Old Major, calls all animals to a secret meeting. He tells them about his dream of a revolution against the cruel Mr. Jones. Three days later Major dies, but the speech gives the more intelligent animals a new outlook on life. The pigs, who are considered the most intelligent animals, instruct the other ones. During the period of preparation two pigs can distinguish themselves, Napoleon and Snowball. Napoleon is big, and although he isn't a good speaker, he can assert himself. Snowball is a better speaker, he has a lot of ideas and he is very vivid. Together with another pig called Squealer, who is a very good speaker, they work out the theory of "Animalism". The rebellion starts some months later,when Mr Jones comes home drunken one night , and forgets to feed the animals. They break out of the barns and run to the house, where the food is stored. When Mr Jones recognises this he takes out his shotgun, but it is to late for him, all the animals fall over him and drive him off the farm. The animals destroy all whips nose rings, reins, and all other instruments that have been used to suppress them. The same day the animals celebrate their victory with an extra ration of food. The pigs made up the seven commandments, and they writte them above the door of the big barn.

They run thus:

1: Whatever goes upon two legs is an enemy.
2: Whatever goes upon four legs, or has wings is a friend.
3: No animal shall wear clothes.
4: No animal shall sleep in a bed.
5: No animal shall drink alcohol.
6: No animal shall kill another animal.
7: All animals are equal.

The animals also agree that no animal shall ever enter the farmhouse, and that no animal shall have contact with humans. This commandments are summarised in the simple phrase: "Four legs good, two legs bad". After some time Jones comes back with some other men from the village to recapture the farm. The animals fight brave, and they manage to defend the farm. Snowball and Boxer receive medals of honour for defending the farm so bravely. Also Napoleon who had not fought at all takes a medal. This is the reason why the two pigs, Snowball and Napoleon, often argue. When Snowball presents his idea to build a windmill, to produce electricity to the other animals, Napoleon calls nine strong dogs. The dogs drive Snowball from the farm, and Napoleon explains that Snowball was in fact co-operating with Mr Jones. He also explains that Snowball in reality never had a medal of honour, that Snowball was always trying to cover up that he was fighting at the side of Mr Jones. The animals then start building the windmill, and as time passes on the working-time goes up, whereas the food ration declined. Although the "common" animals have not enough food, the pigs grow fatter and fatter. They tell the other animals that they need more food, for they are managing the whole farm. Some time later the pigs explain to the other animals that they have to trade with the neighbour farms. The common animals are very upset, because after the revolution, there has been a resolution that no animal shall make trade with a human. But the pigs ensured that there never has been such a resolution, and that this was an evil lie of Snowball. Short after this decision the pigs move to the farm house. The other animals remember that there has been a commandment that forbids sleeping in beds, and so they go to the big barn to look at the commandments. When they arrive there they can't believe their eyes, the 4th commandment has been changed to: "No animal shall sleep in bed with sheets". And the other commandments were also changed: "No animal shall kill another animal without reason", or "No animal shall drink alcohol in excess". Some months there is a heavy storm which destroys the windmill, that is nearly finished. Napoleon accuses Snowball of destroying the mill, and he promises a reward to the animal who gets Snowball. The rebuilding of the mill takes two years. Again Jones attacks the farm, and although the animals defend it, the windmill is once again destroyed. The pigs decide to rebuild the mill again, and they cut down the food ration to a minimum. Some day Boxer breaks down. He is sold to a butcher, whereas Napoleon tells the pigs that Boxer has been brought to a hospital where he has died. Three years later the mill was finally completed. During this time Napoleon deepens the relations with the neighbour farm, and one day Napoleon even invites the owners of this farm for an inspection. They sit inside the farmhouse and celebrate the efficiency of his farm, where the animals work very hard with the minimum of food. During this celebration all the other animals meet at the window of the farm, and when they look inside they can't distinguish between man and animal.

Symbolism/Interpretation

The novel Animal Farm is a satire on the Russian revolution, and therefore full of symbolism. General Orwell associates certain real characters with the characters of the book. Here is a list of the characters and things and their meaning:

Mr Jones: Mr. Jones is Orwell's chief (or at least most obvious) villain in Animal Farm. Of course Napoleon is also the major villain, however much more indirectly. Orwell says that at one time Jones was actually a decent master to his animals. At this time the farm was thriving. But in recent years the farm had fallen on harder times and the opportunity was seen to revolt. The world-wide depression began in the United States when the stock market crashed in October of 1929. The depression spread throughout the world because American exports were so dependent on Europe. The U.S. was also a major contributor to the world market economy. Germany along with the rest of Europe was especially hit hard. The parallels between crop failure of the farm and the depression in the 1930's are clear. Only the leaders and the die-hard followers ate their fill during this time period. Mr. Jones symbolises (in addition to the evils of capitalism) Czar Nicholas II, the leader before Stalin (Napoleon). Jones represents the old government, the last of the Czars. Orwell suggests that Jones (Czar Nicholas II) was losing his "edge". In fact, he and his men had taken up the habit of drinking. Old Major reveals his feelings about Jones and his administration when he says, "Man is the only creature that consumes without producing. He does not give milk, he does not lay eggs, he is too weak to pull the plough , he cannot run fast enough to catch rabbits. Yet he is lord of all the animals. He sets them to work, he gives back to them the bare minimum that will prevent them from starving and the rest he keeps for himself". So Jones and the old government are successfully uprooted by the animals. Little do they know, history will repeat itself with Napoleon and the pigs.

Old Major: Old Major is the first major character described by Orwell in Animal Farm. This "pure-bred" of pigs is the kind, grand fatherly philosopher of change an obvious metaphor for Karl Marx. Old Major proposes a solution to the animals desperate plight under the Jones "administration" when he inspires a rebellion of sorts among the animals. Of course the actual time of the revolt is unsaid. It could be the next day or several generations down the road. But Old Major's philosophy is only an ideal. After his death, three days after the barn-yard speech, the socialism he professes is drastically altered when Napoleon and the other pigs begin to dominate. It's interesting that Orwell does not mention Napoleon or Snowball anytime during the great speech of old Major. This shows how distant and out-of-touch they really were; the ideals Old Major proclaimed seemed to not even have been considered when they were establishing their new government after the successful revolt. It almost seems as though the pigs fed off old Major's inspiration and then used it to benefit themselves (an interesting twist of capitalism) instead of following through on the old Major's honest proposal. This could be Orwell's attempt to dig Stalin, who many consider to be someone who totally ignored Marx's political and social theory. Using Old Major's seeming naivety, Orwell concludes that no society is perfect, no pure socialist civilisation can exist, and there is no way to escape the evil grasp of capitalism. (More on this in the Napoleon section.) Unfortunately when Napoleon and Squealer take over, old Major becomes more and more a distant fragment of the past in the minds of the farm animals.

Napoleon: Napoleon is Orwell's chief villain in Animal Farm. The name Napoleon is very coincidental since Napoleon, the dictator of France, was thought by many to be the Anti-Christ. Napoleon, the pig, is really the central character on the farm. Obviously a metaphor for Stalin, Comrade Napoleon represents the human frailties of any revolution. Orwell believed that although socialism is good as an ideal, it can never be successfully adopted due to uncontrollable sins of human nature. For example, although Napoleon seems at first to be a good leader, he is eventually overcome by greed and soon becomes power-hungry. Of course Stalin did too in Russia, leaving the original equality of socialism behind, giving himself all the power and living in luxury while the common peasant suffered. Thus, while his national and international status blossomed, the welfare of Russia remained unchanged. Orwell explains, "Somehow it seemed as though the farm had grown richer without making the animals themselves any richer--except, of course for the pigs and the dogs." The true side of Napoleon becomes evident after he slaughters so many animals for plotting against him. He even hires a pig to sample his food for him to make certain that no one is trying to poison him. Stalin, too, was a cruel dictator in Russia. After suspecting many people in his empire to be supporters of Trotsky (Orwell's Snowball), Stalin systematically murders many. At the end of the book, Napoleon doesn't even pretend to lead a socialist state. After renaming it a Republic and instituting his own version of the commandments and the Beasts of England, Comrade Napoleon quickly becomes more or less a dictator who of course has never even been elected by the animals.

Squealer: Squealer is an intriguing character in Orwell's Animal Farm. He's first described as a manipulator and persuader. Orwell narrates, "He could turn black into white." Many critics correlate Squealer with the Pravda, the Russian newspaper of the 1930's. Propaganda was a key to many publications, and since their was no television or radio, the newspaper was the primary source of media information. So the monopoly of the Pravda was seized by Stalin and his new Bolshevik regime. In Animal Farm, Squealer, like the newspaper, is the link between Napoleon and other animals. When Squealer masks an evil intention of the pigs, the intentions of the communists can be carried out with little resistance and without political disarray. Squealer is also thought by some to represent Goebbels, who was the minister of propaganda for Germany. This would seem inconsistent with Orwell's satire, however, which was supposed to metaphor characters in Russia.

Snowball: Orwell describes Snowball as a pig very similar to Napoleon at least in the early stages. Both pigs wanted a leadership position in the "new" economic and political system (which is actually counterdictory to the whole supposed system of equality). But as time goes on, both eventually realise that one of them will have to step down. Orwell says that the two were always arguing. "Snowball and Napoleon were by far the most active in the debates. But it was noticed that these two were never in agreement: whatever suggestion either of them made, the other could be counted to oppose it." Later, Orwell makes the case stronger. "These two disagreed at every point disagreement was possible." Soon the differences, like whether or not to build a windmill, become to great to deal with, so Napoleon decides that Snowball must be eliminated. It might seem that this was a spontaneous reaction, but a careful look tells otherwise. Napoleon was setting the stage for his own domination long before he really began "dishing it out" to Snowball. For example, he took the puppies away from their mothers in efforts to establish a private police force. These dogs would later be used to eliminate Snowball, his arch-rival. Snowball represents Leo Dawidowitsch Trotsky, the arch-rival of Stalin in Russia. The parallels between Trotsky and Snowball are uncanny. Trotsky too, was exiled, not from the farm, but to Mexico, where he spoke out against Stalin. Stalin was very weary of Trotsky, and feared that Trotsky supporters might try to assassinate him. The dictator of Russia tried hard to kill Trotsky, for the fear of losing leadership was very great in the crazy man's mind. Trotsky also believed in Communism, but he thought he could run Russia better than Stalin. Trotsky was murdered in Mexico by the Russian internal police, the NKVD-the pre-organisation of the KGB. Trotsky was found with a pick axe in his head at his villa in Mexico.

Boxer: The name Boxer is cleverly used by Orwell as a metaphor for the Boxer Rebellion in China in the early twentieth century. It was this rebellion which signalled the beginning of communism in red China. This communism, much like the distorted Stalin view of socialism, is still present today in the oppressive social government in China. Boxer and Clover are used by Orwell to represent the proletariat, or unskilled labour class in Russian society. This lower class is naturally drawn to Stalin (Napoleon) because it seems as though they will benefit most from his new system. Since Boxer and the other low animals are not accustomed to the "good life," they can't really compare Napoleon's government to the life they had before under the czars (Jones). Also, since usually the lowest class has the lowest intelligence, it is not difficult to persuade them into thinking they are getting a good deal. The proletariat is also quite good at convincing each other that communism is a good idea. Orwell supports this contention when he narrates, "Their most faithful disciples were the two carthorses, Boxer and Clover. Those two had great difficulty in thinking anything out for themselves, but having once accepted the pigs as their teachers, they absorbed everything that they were told, and passed it on to the other animals by simple arguments." Later, the importance of the proletariat is shown when Boxer suddenly falls and there is suddenly a drastic decrease in work productivity. But still he is taken for granted by the pigs, who send him away in a glue truck. Truly Boxer is the biggest poster-child for gullibility.

Pigs: Orwell uses the pigs to surround and support Napoleon. They symbolise the communist party loyalists and the friends of Stalin, as well as perhaps the Duma, or Russian parliament. The pigs, unlike other animals, live in luxury and enjoy the benefits of the society they help to control. The inequality and true hypocrisy of communism is expressed here by Orwell, who criticised Marx's oversimplified view of a socialist, "utopian" society. Obviously George Orwell doesn't believe such a society can exist. Toward the end of the book, Orwell emphasises, "Somehow it seemed as though the farm had grown richer without making the animals themselves any richer except, of course, the pigs and the dogs."

Dogs: Orwell uses the dogs in his book, Animal Farm, to represent the KGB or perhaps more accurately, the bodyguards of Stalin. The dogs are the arch-defenders of Napoleon and the pigs, and although they don't speak, they are definitely a force the other animals have to contend with. Orwell almost speaks of the dogs as mindless robots, so dedicated to Napoleon that they can't really speak for themselves. This contention is supported as Orwell describes Napoleon's early and suspicious removal of six puppies from their mother. The reader is left in the dark for a while, but later is enlightened when Orwell describes the chase of Snowball. Napoleon uses his "secret dogs" for the first time here; before Snowball has a chance to stand up and give a counter-argument to Napoleon's disapproval of the windmill, the dogs viciously attack the pig, forcing him to flee, never to return again. Orwell narrates, "Silent and terrified, the animals crept back into the barn. In a moment the dogs came bounding back. At first no one had been able to imagine where these creatures came from, but the problem was soon solved: they were the puppies whom Napoleon had taken away from their mothers and reared privately. Though not yet full-grown, they were huge dogs, and as fierce-looking as wolves. They kept close to Napoleon. It was noticed that they wagged their tails to him in the same way as the other dogs had been used to do to Mr. Jones." The use of the dogs begins the evil use of force which helps Napoleon maintain power. Later, the dogs do even more dastardly things when they are instructed to kill the animals labelled "disloyal." Stalin, too, had his own special force of "helpers". Really there are followers loyal to any politician or government leader, but Stalin in particular needed a special police force to eliminate his opponents. This is how Trotsky was killed.

Mollie: Mollie is one of Orwell's minor characters, but she represents something very important. Mollie is one of the animal who is most opposed to the new government under Napoleon. She doesn't care much about the politics of the whole situation; she just wants to tie her hair with ribbons and eat sugar, things her social status won't allow. Many animals consider her a traitor when she is seen being petted by a human from a neighbouring farm. Soon Mollie is confronted by the "dedicated" animals, and she quietly leaves the farm. Mollie characterises the typical middle-class skilled worker who suffers from this new communism concept. No longer will she get her sugar (nice salary) because she is now just as low as the other animals, like Boxer and Clover. Orwell uses Mollie to characterise the people after any rebellion who aren't too receptive to new leaders and new economics. There are always those resistant to change. This continues to dispel the believe Orwell hated that basically all animals act the same. The naivety of Marxism is criticised socialism is not perfect and it doesn't work for everyone.

Moses: Moses is perhaps Orwell's most intriguing character in Animal Farm. This raven, first described as the "especial pet" of Mr. Jones, is the only animal who doesn't work. He's also the only character who doesn't listen to Old Major's speech of rebellion. Orwell narrates, "The pigs had an even harder struggle to counteract the lies put about by Moses, the tame raven. Moses, who was Mr. Jones's especial pet, was a spy and a tale-bearer, but he was also a clever talker. He claimed to know of the existence of a mysterious country called Sugarcandy Mountain, to which all animals went when they died. It was situated somewhere up in the sky, a little distance beyond the clouds, Moses said. In Sugarcandy Mountain it was Sunday seven days a week, clover was in season all the year round, and lump sugar and linseed cake grew on the hedges. The animals hated Moses because he told tales and did no work but some of them believed in Sugarcandy Mountain, and the pigs had to argue very hard to persuade them that there was no such place.". Moses represents Orwell's view of the Church. To Orwell, the Church is just used as a tool by dictatorships to keep the working class of people hopeful and productive. Orwell uses Moses to criticize Marx's belief that the Church will just go away after the rebellion. Jones first used Moses to keep the animals working, and he was successful in many ways before the rebellion. The pigs had a real hard time getting rid of Moses, since the lies about Heaven they thought would only lead the animals away from the equality of socialism. But as the pigs led by Napoleon become more and more like Mr. Jones, Moses finds his place again. After being away for several years, he suddenly returns and picks up right where he left off. The pigs don't mind this time because the animals have already realised that the "equality" of the revolt is a farce. So Napoleon feeds Moses with beer, and the full-circle is complete. Orwell seems to offer a very cynical and harsh view of the Church. This proves that Animal Farm is not simply an anti-communist work meant to lead people into capitalism and Christianity. Really Orwell found loop-holes and much hypocrisy in both systems. It's interesting that recently in Russia the government has begun to allow and support religion again. It almost seems that like the pigs, the Kremlin officials of today are trying to keep their people motivated, not in the ideology of communism, but in the "old-fashioned" hope of an after-life.

Muriel: Muriel is a knowledgeable goat who reads the commandments for Clover. Muriel represents the minority of working class people who are educated enough to decide things for themselves and find critical and hypocritical problems with their leaders. Unfortunately for the other animals, Muriel is not charismatic or inspired enough to take action and oppose Napoleon and his pigs.

Old Benjamin: Old Benjamin, an elderly donkey, is one of Orwell's most elusive and intriguing characters on Animal Farm. He is described as rather unchanged since the rebellion. He still does his work the same way, never becoming too exited or too disappointed about anything that has passed. Benjamin explains, "Donkeys live a long time. None of you has ever seen a dead donkey." Although there is no clear metaphoric relationship between Benjamin and Orwell's critique of communism, it makes sense that during any rebellion there or those who never totally embrace the revolution those so cynical they no longer look to their leaders for help. Benjamin symbolises the older generation, the critics of any new rebellion. Really this old donkey is the only animal who seems as though he couldn't care less about Napoleon and Animal Farm. It's almost as if he can see into the future, knowing that the revolt is only a temporary change, and will flop in the end. Benjamin is the only animal who doesn't seem to have expected anything positive from the revolution. He almost seems on a whole different maturity lever compared to the other animals. He is not sucked in by Napoleon's propaganda like the others. The only time he seems to care about the others at all is when Boxer is carried off in the glue truck. It's almost as if the old donkey finally comes out of his shell, his perfectly fitted demeanour, when he tries to warn the others of Boxer's fate. And the animals do try to rescue Boxer, but it's too late. Benjamin seems to be finally confronting Napoleon and revealing his knowledge of the pigs' hypocrisy, although before he had been completely independent. After the animals have forgotten Jones and their past lives, Benjamin still remembers everything. Orwell states, "Only old Benjamin professed to remember every detail of his long life and to know that things never had been, nor ever could be much better or much worse hunger, hardship, and disappointment being, so he said, the unalterable law of life."

Rats & Rabbits: The rats and the rabbits, who are regarded as wild animals, somehow represent the socialist movement, the so-called "Menscheviki". In the very beginning of the book the animals vote if rats and rabbits should be comrades.

Pigeons: The pigeons symbolise Soviet propaganda, not to Russia, but to other countries, like Germany, England, France, and even the United States. Russia had created an iron curtain even before WWII. The Communist government raved about its achievements and its advanced technology, but it never allowed experts or scientists from outside the country to check on its validity. Orwell mentions the fact that the other farmers became suspicious and worried when their animals began to sing Beasts of England. Many Western governments have gone through a similar problem with their people in this century. There was a huge "Red Scare" in the United States in the 20's. In the 1950's in the United States, Joseph McCarthy was a legislative member of the government from Wisconsin. He accused hundreds of people of supporting the Communist regime, from famous actors in Hollywood to middle-class common people. The fear of communism became a phobia in America and anyone speaking out against the government was a suspect.

Farm buildings: The farm stands for the Kremlin. In the early days of the USSR there were sightseeing tours trough the Kremlin. Later it became the residence of Stalin;

Windmill: The Windmill for example stands for the Russian industry, that has been build up by the working-class (Clover...)

Frederick: Stands for Hitler. There also has been an arrangement and secret deals. (allusion to Fritz)

Foxwood: Foxwood farm is representing England.

Pinchfield: Pinchfield symbolises Germany.

Destruction of the Windmill: This destruction is a symbol for the failure of the Five Year Plan.